A tour of the capital of Ecuador takes you from the Andes to the subtropics: this is undoubtedly the city of diversity, in cultural expressions, as well as in natural wonders. It has the largest and best-preserved historic center in Latin America, is the highest capital in the world (2,850 m high) and sits on the slopes of the Pichincha volcano.
Much of Quito’s uniqueness is due to the geography that the Andes gives, which is more present here than in neighboring capitals, you can see snow-capped peaks at any distance! Quito shares an Inca legacy with Peru, but the Incas only conquered the millennial conglomerate of native lordships 50 years before the arrival of the Spanish. The culture of Quito – and Ecuador in general – is therefore very diverse and multifaceted.
Much of Quito’s uniqueness is due to the geography that the Andes gives, which is more present here than in neighboring capitals, you can see snow-capped peaks at any distance! Quito shares an Inca legacy with Peru, but the Incas only conquered the millennial conglomerate of native lordships 50 years before the arrival of the Spanish. The culture of Quito – and Ecuador in general – is therefore very diverse and multifaceted.
The Quito area was one of the last places to be conquered by the Incas and the city, one of the first Spanish foundations in South America.
World Heritage Site. The most important concentration of churches, chapels, squares, museums and colonial buildings in South America have made Quito the first city to be declared a World Heritage Site by UNESCO, in 1978.
Why visit Quito? There is no single reason, there are several reasons why Quito is considered one of South America’s Leading Destinations and one of the Best Destinations to Discover.
There are three metropolitan public transport systems that cover most of the city from north to south: the trolleybus, the ecovia and the north-western corridor. There are also private lines throughout the city. The ticket costs $ 0.25 ctvs. for adults and $ 0.12 ctvs. for children and the elderly.
Inter-parish buses are painted green, the cost of the ticket depends on the destination you go to.
If you take a taxi, the minimum fare during the day is $ 1.50, at night it increases to $ 1.75 ctvs. Always demand the use of a meter, it is better to call from the hotel or from wherever you are, than to wait in the street. You can also use applications like EasyTaxi, mitaxi JJ, Cabify, Uber.
Connects the center and the north of the city through a network of cycle routes, check out www.biciquito.gob.ec
The Church of the Society of Jesus of Quito, a living example of art and faith of the Ecuadorian people, maximum expression of the Baroque style in Ecuador, was built from 1605 to 1765.
They were foreign Jesuit priests among them, Marcos Guerra, Jorge Vinterer, Leonardo Deubler, Venancio Gandolfi and Hernando de la Cruz, skilled in different arts and crafts: architecture, carving, sculpture and painting, who gave shape and unique style to the Jesuit temple. The two large original canvases of Hell and the Last Judgment are attributed to Hernando de La Cruz’s brush, works executed in 1620, whose facsimiles today as yesterday are located at the north and south ends of the church’s narthex. Colonial Quito also contributed with great architects who covered the church with gold and magnificent paintings, artists such as Nicolás Xavier Goribar, Bernardo de Legarda, Antonio Salas, and the unique anonymous workforce of those who named the Escuela Quiteña and left their mark on the lush decoration of the temple.
Monday to Saturday, from 7:30 a.m. to 12:30 p.m. and from 2:30 to 5:30 pm. Sundays: from 7:00 a.m. to 12:00 p.m.
Cuenca 477 and Sucre
There is no visit to Quito that can ignore this religious complex, one of the most important on the continent.
There are more than three hectares (about 40,000 m2) of temples (one major church and two minor ones), cloisters, courtyards, chapels, rooms; not counting the orchard, the ossuary, the catacombs. The religious labyrinth of San Francisco unites the city’s past with the soul and life of the Quiteño who knows it, travels and occupies it every day.
Just in 1940, the almost petty Franciscan square (without benches, monuments, or flowers) would be covered with its current emblematic stones. Always forming part of the daily life of the Quito, for four centuries, it was from land. There were activities that called large crowds: plays, fairs, bullfights, processions, agricultural education or general catechism for indigenous people. Therefore, its extension was (is) exaggerated. There was also a large stone fountain in the middle (as some old paintings illustrate) which was used by the ‘aguateros’, who collected water in huge ceramic basins to distribute among the neighbors. Today, there is another pool, a smaller one, and the slight steep curve leading to the monumental atrium prevails.
At the risk of those who know what colonial evils, the humble stonecutter Francisco de Cantuña gambled his soul, asking the devil himself to help him fulfill the most important task of his life: to pave the enormous atrium of the church. When this legend is told, sometimes Cantuña is credited with liveliness, other times it is said that it was a simple fortune … after all, he ended up saving himself, because the devil, upon completing the task, inadvertently left a stone unplaced. To stand on the atrium of San Francisco is to observe its singular square from one of the most special headlands in the city, with its unforgettable double-semicircular staircase, inspiration of the famous Bernini who would never become part of the Vatican.
The church of San Francisco is actually dedicated to San Andrés (but explain this to the Quiteños). Perfectly eclectic, it manages to match Renaissance altars, Romanesque columns, a fabulous Mudejar choir and Baroque carvings in gold leaf: more than the fabulous chapels, some enigmatic and sober, others intensely decorated. Colorful and unique, with greens, blues, reds and golds, note the effigies of the pulpit: they are the three enemies of Catholicism (Luther, Calvin and Arius), eternally bearing the weight of the church.
As soon as one enters, you feel that you are participating in something greater than oneself. It is not the height of the columns or the showiness of the images, (all this, without a doubt, moving). It is the families praying, the humble treasuring their spiritual space, the visceral appreciation that Quito residents feel for their church, the mothers closing their eyes tightly, kneeling before the prodigious image of the Winged Virgin. This is the centerpiece of the main altarpiece, one of the few sculptures signed by the talented Bernardo de Legarda, and chosen to honor the city in the cherry on its geographical cake: the Panecillo.
Be sure to visit the Pedro Gocial Museum (the door to the right of the main entrance) where you will find the fabulous works in painting and sculpture by Bernardo de Legarda, Caspicara, Pampite and more … all fabulous examples of the talented baroque litter of artists from the Quiteña School.
In March/April of each year, you cannot miss the procession of Jesus of the Great Power: a tide of people dressed in purple escort other penitents who carry huge wooden crosses through the streets of the Historic Center, during a day in which it almost always rains!
Monday to Sunday, from 9:00 a.m. to 5:00 p.m.
Iquique s/n, Itchimbía
You cannot miss visiting Itchimbia: for its spectacular perspective on the city, for its beautiful glass palace, for the kites that fly, for the trails, festivals, peace and nature …
It was a dump, for many years. And before that, in ancient times, a sacred place of rites. Today, after a management initiated by the residents and taken to higher levels by the then Cultural Heritage Rescue Fund (former FONSAL) more than twenty years ago, it has become one of the most visited and important parks in the city. The park itself is embellished by one of Quito’s most iconic buildings, a 19th century steel and glass structure, originally used to house the Santa Clara market, originally imported from Hamburg in 1889 and much like the old Les Halles market in Paris and today a Cultural Center where a variety of exhibitions and events are held, with its unsurpassed view of the Historic Center of Quito and the modern city, a view that is actually quite magical, revealing, on the east side, the beautiful snow-capped Cayambe. In the 1920s, the famous Ecuadorian archaeologist Jacinto Jijón y Caamano revealed a tomb where eight decorative nose rings (two of them gold) were found, two gold earrings and a necklace. The hillside of Itchimbía is also a natural heritage, its 54 hectares host more than 400 different varieties of flowers, 40 species of birds and a swamp area.
The project ended in July 2004. The old market now has state-of-the-art facilities, such as computerized lighting, ambient temperature control, and excellent acoustics, as well as conference rooms, parking, trails, and a restaurant/café all under its imposing structure. The cultural center is covered by an ultramodern glass structure and can be seen glowing from many points in the city.